![]() In 1981, as a member of the "Marks and Measures" project, he began photographing prehistoric Native American pictograph and petroglyph sites in the American West, funded by the last National Endowment for the Arts Survey Grant in 1981. After graduating, He accepted a teaching position at the University of Colorado in Boulder. These cinematic landmarks are now mostly artifacts of a shifting cultural landscape they are, however, perfectly preserved in Fitch's extraordinary photographs, which mostly picture their subject under the fluorescent glow of the Drive-In's signage.įitch received his master's degree in fine arts from the University of New Mexico in Albuquerque in 1978. His serial photographs of the Drive-Ins, seen together, shape an intriguing typology of a disappearing architectural form. He received two National Endowment for the Arts Fellowships to aid in completing this project, one in 1973 and the second in 1975, and published the acclaimed monograph, Diesels and Dinosaurs (1976). After graduating from the University of California at Berkeley in 1971 with a bachelor's degree in anthropology, and while teaching photography at the ASUC Studio on the Berkeley campus, Fitch began work on a project photographing the vernacular roadside of the American highway. Drive-In Theaters showcases a remarkable selection of vintage and modern gelatin silver prints together with color images representing the architecture of these distinctly American movie-viewing monuments.įor more than forty years, Steve Fitch has been photographing the American West revealing its changing vernacular landscape and vanishing roadside attractions. Steve Fitch: Drive-In Theaters will exhibit until March 4th at the Joseph Bellows Gallery.Joseph Bellows Gallery is extending the Steve Fitch: Drive-In Theaters exhibition through March18th in the gallery's Atrium exhibition space. He continues to travel the country, taking photographs and sharing his passion for vernacular architecture and signage with others. ![]() Throughout his career, Fitch has remained dedicated to capturing the beauty and character of the American landscape. These cinematic landmarks are now mostly artifacts of a shifting cultural landscape they are, however, perfectly preserved in Fitch’s extraordinary photographs, which mostly picture their subject under the fluorescent glow of the Drive-In’s signage. ![]() He received two National Endowment for the Arts Fellowships to aid in completing this project, one in 1973 and the second in 1975, and published the acclaimed monograph, Diesels, and Dinosaurs (1976). After graduating from the University of California at Berkeley in 1971 with a bachelor’s degree in anthropology, and while teaching photography at the ASUC Studio on the Berkeley campus, Fitch began work on a project photographing the vernacular roadside of the American highway. For more than forty years, Steve Fitch has been photographing the American West revealing its changing vernacular landscape and vanishing roadside attractions.
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